paperiaarre

The May theme for the #areyoubookenough bookbinding community challenge is 'secret', and I decided I wouldn't take it too literally and pour my heart out, at least not too much. My artists' book Fingerprints was born after I went through a mental list of structures that hide and reveal in one way or another. I haven't made one of these magic boxes in almost 15 years, so it took me a moment to remember how it's constructed. I don't think I've ever known a particular name for this box structure, but it's basically a variation of Jacob's ladder.

I haven't given fingerprints much of a thought apart from when I find dirty fingerprints on my supposedly pristine papers, and, of course, when they're mentioned as forensic evidence. This means, in general, it's not exactly good for you if you leave behind any fingerprints. Some research into the matter revealed a more pleasant side of those little loopy, whorly ridges on our fingertips - they provide us with tons of information crucial to our fine texture perception. The friction ridges are like little amplifiers for the sense of texture. As someone whose work is massively reliant on what I feel with the tips of my fingers, my view of the world is much more texture-oriented than the one of someone who maybe works with their brain alone. And it seems my texture-orientedness also affects how I get to know someone, how I trace their face with the tips of my fingers, over and over again...